Summary

This essay film asks what it means to be an audience, in the wake of the Americans with Disabilities Act, which claims but often fails to prohibit discrimination against disabled workers and audiences in the United States. Tangling common sense representations of disability, labor, and national identity, the film questions the purported goodness of putting disabled people to work in underpaid contexts ranging from captioning and transcribing to fabricating textiles for the U.S. military.