Summary

Mixing old tech with new, these lyrical abstractions explore red-gold color fields created with photograms (direct exposure of film without cameras), then animated through 16mm rephotography and digital manipulation. Soothing and melancholy, Wills works in the aleatory-painterly tradition of Brakhage, but with sound: the tracks consist of classical music, spoken word, and altered bits of everyday noises. Floral images link her work to Victorian embroidery and other womanly parlor arts. (Ed Halte)