Chantilly Revisited combines the slow-motion images of the film Chantilly (1976) and the original painted elements. It is a work of deconstruction of the grid of the original film which confronts the cinematographic framework as a unit with multiple subdivisions. Does the image framework remain an unsurpassable convention, inherent in the very principle of the traditional image? A reflection on abstraction in cinema.
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Sign inStatusReleased: 4 years ago
December 31, 2020
LanguageUnknown
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