Summary

In an arrestingly filmed interview (with the questions omitted), Denis offers a spirited and insightful discussion of her films and career. She talks about her films, her career, the directors she admires - such as Renoir and Ozu - the writing of Frantz Fanon, and her convictions in regard to light, sound, montage, tracking shots, and the role of dialogue, which is subordinate to image in her films.