Summary

"a film that looks forward to the many collage films Burckhardt has made in the last two decades. Shot in Maine in black and white, it demonstrates Burckhardt's ability to take seemingly slight subjects -- flowers, fields, a pond -- and invest them with consequence by the simple act of looking. Instead of thinking about a daisy, compiling a list of its literary references, and planning a rise-and-fall drama based on a mental construct, Burckhardt simply sets out with his camera and films. As he shoots, he goes closer and closer to his chosen subject, putting the viewer into a trance, intoxicated by textures of petals, the myriad-flowered center, the unchoreographed dance the daisy makes on a breezy day. " - Mobile Homes: The Art of Rudy Burckhardt, Institut d'Art Modern, Centre Julio González, Valencia, Spain,1998.