Greenaway's virtually unseen first film is described by the director as "a work of juvenalia" shot in four London cemeteries, focusing on "church yard furniture, crosses, flying angels, [and] typography on grave stones," with the occasional painting reference thrown in as well.
~ A beginning from the very endDirector
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Sign inStatusReleased: 62 years ago
December 25, 1962
LanguageUnknown
Spoken LanguagesUnknown
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