Summary

Cries of "Diva!" are known to ring out in the drag bar as well as the opera house. In this surreal queer fantasia on classical music, baroque iconography, and scandalous first-century verse, drag prima donna Divina de Campo premieres an original operatic aria with chamber orchestra by composer V. R. Alevizos. Europe’s historic concert halls set the stage for an ecstatic meeting of two art traditions which traffic in extremes of gender performance, enacting a space where the drag bar diva and the opera house diva share the same skin.