Summary

n 1964 Robert Smithson made a sculpture called Enantiomorphic Chambers that cleverly exploited our two-eyed nature to haunting metaphysical ends. Stepping between the two chambers, the viewer sees his or her image cancelled out by precisely coordinated mirrors, accomplishing Smithson’s task of “eliminating the consciousness that regulates binary vision.” Curators Kevin Regan and Christopher Howard have teamed up to turn NURTUREart Gallery into an entantiomorphic chamber of their own devising, though with a rather different aesthetic than Smithson’s. Noticing a simple iconographic trend in which a number of contemporary practices make use of reflected images, Regan and Howard have turned this underrecognized phenomenon into a full-scale metaphysical research project, complete with its own blog to document ongoing discoveries.