Summary

En Route or of a Thousand Moons presents a speckled and staccato view of post colonial India’s visual histories. Removed from contexts of their time and space, these images acts as apparitions of India’s past that remain hidden in the obsolescence of their material life. The film puts us face to face with a private world of picnics, birthday parties, and interior lives, worlds that been hidden and preserved in deteriorating and aged film, offering a meditation of fragmented and alternative view of India’s histories.