Summary

Is being in a foreign land, separated from one’s familiar daily life and human relationships, another form of escape? Four seemingly unrelated footages from CHUNG Mong-hong's overseas studies represent a contemplation of the foreign land and self-identity. Fleeting images of the city, surrealist compositions, the multifarious landscapes and imageries presage CHUNG’s early experimental features. The monologue at the end narrates the absence of the father and the resulting solitude and regret, reflecting CHUNG’s delicate sensibilities towards family and human relationship. The local religious chants serve as a stark cultural contrast against the life overseas, highlighting the cultural barriers and loneliness brought about by estrangement.