Summary

Through the alchemical materialization of hand-processed 16mm film, ’Fossil Falls’ uncovers a charge and vibration in the natural world. The camera traverses the desert in an embodied relationship with non-human life forms, exposing a sense of desire, narrative, and point of view in the non-human. Thus, there is a kind of crisis in trying to hold onto, know, or truly become that which is unknown, or outside of the human.