Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.
Director
No comment for this review.
Sign inStatusReleased: 47 years ago
January 1, 1978
LanguageUnknown
Spoken LanguagesNo Language
Budget-
Revenue-