Theoretical experiment that uses the technique of picto-cinematography, win which “the search for the temporal objective duration of painting” stands out; this comes to us via its real measurements on a 35mm film. This technique allows us to get “a new vision of a pictorial work” within a temporal duration defined by cinematographic means. In this experiment, the same image of the painting remains in emulsion on the optical soundtrack, thus generating a sound. — AP
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Sign inStatusReleased: 26 years ago
February 19, 1999
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