Summary

As Varela moved on from film, working with video from the 1990s to the present, the spiritual and autobiographic concerns of his work remained, evidenced in the longer works that conclude this programme, works in contemplation of sacred and profane experience. His Hidden Presence continues the multiform, ‘found’ image construction of In Progress, accommodating a collage soundtrack of electronic beats, a distorting, looping horn, and a loop of the Velvet Underground, to accompany surreal and horrific scenes of wrestling and crucifixions, as well as diaristic photography.