Summary

Based on Bright Sheng’s modern orchestral composition of the same name, H’un (Lacerations) finds Wills incorporating representational elements, combined with her signature photograms and abstract images. In Sheng’s 23-minute piece, which is far more extroverted than the sound in Wills’s previous films, she found an opportunity to break out of her typical styles, using everyday objects like a shoe or a cracker to illustrate the film noir-ish score with a touch of humor.