Summary

Whether in cabaret or in labial synchronisation, one of the most enjoyable games is to make yours someone else’s voice. Ventriloquized by a series of famous media voices the viewer can have fun identifying, the actor of Il faut se tromper moves from room to room and character to character over the course of a sunday wander through his appartment. Beyond the confusion of identities, Valentin Dilas’s magisterial performance, skillfully directed by Jean Boiron Lajous, speaks of how we incorporate the discourses of others and how their inner pathways structure our attitudes, including the very way we walk. (Claire Lasolle)