Summary

Even today there is still a certain resistance to recognizing the aesthetic revolution caused by Virus in the early eighties. The audacity of Federico Moura at the head of the La Plata's band exceeded the limits of rock and is still a source of art-pop knowledge. Imágenes Paganas explores that tension and rejection in times of dictatorship, a scourge that the Moura family paid with the disappearance of Federico's older brother. The documentary by Costantino inaugurates a time of historical reparation with Federico Moura as a warrior of modernity.