Summary

Condensed material from Dietmar Brehm’s cumulative work Praxis-Selektion – once in black and- white and once in green-red, with electric guitar. In INSIDE Brehm denaturalizes his video recordings and develops new dramaturgies of image and sound. Flickering effects, blurs, and positive-negative inversions yield a texture of mysterious associations whose Pop art aesthetic resembles print techniques and comics.