Summary

After finding the soundtrack of Tararira, the only Argentine surrealist film shot in 1936, lost since then, and starring their great-grand uncles, the Aguilar brothers set out to unravel the family history at the crossroads of the great political events of the 20th century. It is also a story of El Cuarteto Aguilar, a very particular music band, which had an openly lesbian member in the first half of the last century. The discovery of the soundtrack of the lost film leads to a documentary collage that travels through Argentina, Spain and other parts of the world to ask again, one hundred years later, if perhaps the revolution is not also an aesthetic.