Summary

Shot during Mary Stephen's time in Canada, Labyrinthe is an experimental spellbinder. Two girls, one Caucasian and the other Asian, are dressed in identical attires, loitering in, bumping along and leaping up and down labyrinth-like cross-cutting corridors where religious and social contexts overlap. Traversing between art and intellectual spheres of East and West, Stephen and her co-directors put their finger on the pulse of the paradoxes that underlie a dual cultural identity.