Summary

It is a strictly non-documentary work, a reinterpretation of Massimo Liviadotti's iconography born from a transversal reading of his works. An anti-exhibition on magnetic tape free from any celebratory emphasis. More than a videocatalogue, the other world is a work of visual anthropology that uses Liviadotti's paintings as pieces of an electronic inlay while shifting the terms of the static nature of painting into the dynamism of videos.