Summary

"In the rolls of film shot by Dinz Rialto during his travels he searched for 'real' images, without filters, paradoxically finding them precisely where the act of filming is most evident. Those looks in the camera surprised me, intimidated me, just like those faces that appear amazed and shy in front of the camera: unaware actors of a frontal cinema, so direct as to push me to step aside and become a mirror in my turn, to move on to others those looks, isolated, free from any narrative. No story: just glances, held and slowed down to maintain the intensity."