Summary

A séance is performed by three cloned versions of the filmmaker in order to make a connection to another plane.  The rules of the séance, written in 1920 by parapsychologist Hereward Carrington, are invoked on camera by novelist Lynne Tillman.  According the text, roses which are seen as lights by spirits on the other plane, are placed on the séance table as a beacon. The spiritual dimension of the séance is captured with black and white video cameras dating back to the early 1970's that create visually stunning artifacts of light trails, black halos, and scan lines that swirl endlessly into the unknown.