Summary

Magic Mirror combines a re-staging of the French Surrealist artist Claude Cahun’s black and white photographs with selected extracts from her book Aveux Non Avenus (Confessions Denied). In Surrealist kaleidoscopic fashion the film creates a weave between image and word, exploring the links between Cahun’s photographs and writing as well as between those of the films of Sarah Pucill, as both artists share similar iconography and concerns.