Summary

The film Miralles tells, as in a novel, the vision of the world of one of the most important Spanish architects of the contemporary international scene. Enric Miralles dies at the age of 45 from a brain tumor. The next day he is buried in his masterpiece, the Igualada Cemetery, an unfinished forest-cemetery. From that moment on, his life and his work are inextricably linked. The film unfolds in variations, following Miralles' own creative method inspired by Giacometti. A search without the possibility of conclusions, as in the extraordinary and complex Scottish Parliament in Edinburgh, one of the architect's last works and also one of his magisterial works.