This piece includes many iconographical elements that have evolved in Jonas’s practice since the early 1970s, including the mirror, the hoop and the dog. It epitomises her inventive approach to editing and an illusionistic style characterised by a wry humour. She has described the work as follows:
Director
No comment for this review.
Sign inStatusReleased: 19 years ago
September 3, 2005
LanguageUnknown
Spoken LanguagesUnknown
Budget-
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