Summary

A deeply felt reflection on labor, gender, and fleeting pleasures in rural Nepal, filmmaker Stephanie Spray's short but powerful documentary on two strong-willed female field hands captures the monotonous and arduous nature of their work during Monsoon season. Spray's close friendships with the women (who were also passengers in Spray and Velez' monumental film Manakamana) allows for an intimacy and honesty rarely seen in anthropological works.