Summary

“I now knew that I'd found a style to interpret an emotional event filmicly. The unabating atrocities of the Vietnam War, the growing protest movement in Australia, and the ghastly images we witnessed each day in newspapers and on TV formed my material. I wanted to get into the minds of the protesters, into their (my) anger. Protest rallies and the horror of the press were captured with a frantic camera and very fast zooming. The power of sound and image was heightened with often-rapid (sometimes single-frame) montage.” (Paul Winkler)