Summary

"no more room in hell" began with initial research conducted at the archive of horror director George A. Romero (Dir. Night of the Living Dead) housed at the University of Pittsburgh. Extending research beyond the archive, the film examines the implications of zombiehood in relation to industry, late techno-capitalism, and apocalyptic realities. The experimental cinematic work models itself after Romero’s cult classics which birthed the American cinematic zombie against the industrial backdrop of Western Pennsylvania.