Summary

Ominous cinegrams of Albrecht Dürer’s Melencolia print, intercut, like cascading scythes, with depictions of a woman in a field, evoking repetitions that exist in harvest rituals, as well as in gestures of madness. Specters of familial anxieties creep into this loose take on the myth of Poludnica (“Noonwraith” or “Lady Midday”), a Slavic harvest spirit that could cause madness in those who wandered the fields alone.