Summary

During the ensuing years of developing the land, remodeling the house, the studios, and various outbuildings, as well as various projects and excursions with my partner and friends, I carried around the smallest and humblest of unobtrusive regular 8mm movie cameras with which I could both record interesting moments and also weave a cinematic fabric equivalent to the gestural style and compositional concerns of Abstract Expressionism, a style of painting I had studied, practiced, and related to since the late 1950s. In other words, these film interludes are Abstract Expressionist home movies.