Summary

Prepared and shot with a group of young workers, schoolchildren, the unemployed, etc., in a neighborhood of Le Havre, On voit bien qu'c'est pas toi inaugurates a series of "collective" films, in a neighborhood of Le Havre, On voit bien qu'c'est pas toi inaugurates a series of "collective" films, inspired by the impetus of 1968, which helped to make our filmmaking activity (somewhat) better known. The young people chose the documentary form to show their lives as they wanted them to be seen, that is, on a daily basis, in their premises, at work, on the town, with their families, on wild camping trips... In this way, they drew up a precise and detailed self-portrait of a milieu hitherto almost totally absent from the screens.