Summary

A coda to the suite Kirchheimer began with 2018’s Dream of a City, One More Time poignantly intercuts our last glimpses of the cycle’s black-and-white, late-fifties New York with color outtakes from 1981’s Stations of the Elevated, depicting a different yet equally distant moment in the life of the city. Placed simultaneously between and beyond these two eras, the film becomes a lyrical lament for the promised New York that never was.