Summary

In July 2002, the French illustrator Daniel Maja was invited to Ramallah and Gaza to develop a project for art schools in Palestine, despite the fact that most West Bank cities were under curfew at the time. Dominique Dubosc, the filmmaker, decided on the spot to accompany him. The film develops according to their two gazes, which play one against the other, or with the other, in two mediums, throughout the journey.