Godard still edits on analogue equipment. If he needs to insert an extra scene, he applies a double exposure. Aragno pushes this strategy to its limits and applies it to Godard’s original Le gai savoir (1969). The subject remains the same: a dialogue about the degradation of the French language under the capitalist system.
Director
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Sign inStatusReleased: 6 years ago
January 27, 2019
LanguageFrançais
Spoken LanguagesFrançais
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