Summary

A mind-blowing film which borders on the structural but which manages to avoid being so. A study of colour, stasis, and different modes of multiple-exposure. The film slides from a doctored reality towards fantasy. A large part of the film takes place in one single image that continually changes aspect: the buildings on the square, Place d'Italie, seen from my window from when I used to live in that district in Paris on the eighth floor of a kind of council housing block.