In Rhea (1982), Askevold elaborates on his interest in allusion and implication, using images that seem to be fragments of a larger narrative to suggest, rather than tell, a story. This piece consists of a series of close-up shots of numerous people, each stating a name or phrase. The shots gesture towards the type of staged reaction shot, often used in soap operas or made-for-TV movies, interrupting the linearity of the story.
Director
No comment for this review.
Sign inStatusReleased: 43 years ago
January 1, 1982
LanguageUnknown
Spoken LanguagesUnknown
Budget-
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