Saga

N/A

1968

9 minutes

Summary

"While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three­ dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object­ book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.

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StatusReleased: 57 years ago
January 1, 1968

LanguageUnknown

Spoken LanguagesNo Language

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