Summary

This key work of the late 1970s, now digitally restored, is a unique attempt to combine contemporary debates around formalism, feminism and psychoanalysis in film. Implicitly engaged in a critical dialogue with filmmakers like Yvonne Rainer and Jean-Luc Godard, as well as the theorists of 'Screen' magazine, Sigmund Freud's Dora is a milestone in the evolution of structuralist film strategies into broader questions of representation.