Summary

The “story” can be reduced to three structural elements: a man, a woman, a gun. All the narrative possibilities that could occur in this situation are shifted through in the film’s 7 minute, 50 second span, the actors reciting their dialogue in a deadpan monotone that markedly contrasts with the melodramatic flavor of the words they are speaking, thus highlighting the artificiality of the filmic situation and exposing its constructedness—the very thing that mainstream cinemas typically strive to conceal.