"This homage to structural filmmaker Paul Sharits, was made by re-photographing thousands of cement splices, then arranging them into four movements. The continuous image of the splice bar implies an almost dream-like landscape/ horizon line. I met him shortly after completing the film and gifted a print, which he responded to favorably. Super 8, silent, experimental."
Director
No comment for this review.
Sign inStatusReleased: 45 years ago
January 1, 1980
LanguageUnknown
Spoken LanguagesNo Language
Budget-
Revenue-