'Still-Life with Pear' takes a subversive position towards the illusion inherent in the film-image, its apparent transparency to representation, but rather than dealing with this by countering with strategies of foregrounding the actual materiality of the film-strip, the narrative construct is subverted within the film with a counter-narrative.
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Sign inStatusReleased: 51 years ago
January 1, 1974
LanguageUnknown
Spoken LanguagesUnknown
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