Summary

“Nature, the inexhaustible resource of encounters worthy of speechless communication,” declares Abbas Kiarostami in Fergus Daly’s beautiful journey. How can cinema free itself of its anthropocentric and industrial determinations? Each of the films presented here offers a solution, be it iconographic or technical, whether it involves renewing a representation or producing one’s own film reels, dancing with one’s whole body with nature as one’s partner or imagining a sound as animals might perceive it.