Summary

Using video, sculptural installation and performance, American artist Shana Moulton has developed a distinctive psychic and aesthetic realm anchored around her alter ego, Cynthia. Collectively titled Whispering Pines ­­­­– the name taken from the mobile-home park for senior citizens near Yosemite that her parents ran – these episodic videos, begun in 2002, chart Cynthia’s personal tribulations. They also reflect on the relationship between consumerism and the search for spirituality.