Summary

Scott Stark leads us through a dizzying array of consumerist goods in his stereoscopic mannequin melodrama The Realist. Composed of flickering still images, this entrancing romp conjures retail worlds both familiar and strange, in which chiselled mannequins may in fact be communing with each other amid the overwhelming array of apparel. Whether viewed as consumerist critique or spellbinding, operatic fantasy, The Realist employs a deft binary structure that skews toward the metaphysical.