Summary

Traumatografo is a film, the principal purpose of which is to comfort those who fear death by the gallows or scaffold. It is divided into three parts: in the first, slaughter by automobile is shown; in the third, by military engagements; in the center section children pantomime syncopated movements from top to bottom. The secret, twilight imaginings of a wreckless character in the horrifying motion of falling or ejection in triplicate from an auto-trauma-mobile, the alternation—through the manipulation—of his original motion, offers us, as a source of comfort, the bicorporeal vision of him as he travels along the parabola of his fall from a residual sequence of a most personal and fatal leap.