Summary

Tsukiji is a “city symphony” film of sorts, dedicated to the largest fish-market in the world, and one of the last surviving proletarian spaces in Tokyo. A film about cutting in a double sense, it harkens back to a moment of intersection of modernism and social realism, evoking the ghost of the left-wing Japanese novelist of the 1920s and 30s, Takiji Kobayashi, author of Kani kosen (The Factory Ship) and an early victim of Japanese fascism. —Allan Sekula