Summary

In his film, the Chilean film director accompanies Russian filmmaker Victor Kossakovsky during the shooting of his latest film. In Patagonia, at Lake Baikal and in Shanghai, Victor Kossakovsky explores the singular relationships between places and people on opposite sides of the world. Carlos Klein documents the making of this ambitious film in a very personal way, driven by his own inner search for images that still have an impact on us. While doing so, he reveals his own and Kossakovsky‘s ambiguous attitude towards filmmaking.