Summary

Yellow Limbo interleaves vintage photographs and Super8 film shot by crewmembers of 14 cargo ships stranded in the Suez Canal for 8 years with the artist’s own recent footage on location and a series of inter-titles that provide a fragmentary narrative as well as explode into a larger historical context. The three-way comparison of events and image sources, disembodied from the timeline of experience, creates a complication of concurrence, consequence and dissociation, giving rise to a sense that time is pleated, causality radiating and that this rippling expanse of saltwater somehow communicates diagonally through time.