Midi Z

Personal Info

Known For Director

Gender Male

Birthday 1982-12-18 (42 years old)

Place of Birth Lashio, Shan State, Myanmar

Also Known As 趙德胤, Midi Z, Zhao Te-yin, Midi Zhao, Zhào Déyìn, Chao Te-yin

Midi Z

Biography

Chao Te-yin (Chinese: 趙德胤; pinyin: Zhào Déyìn; born 18 December 1982), also known as Midi Z, is a Myanmar-born Taiwanese film director. His 2014 film Ice Poison was selected as the Taiwanese entry for the Best Foreign Language Film at the 87th Academy Awards. On November 7, 2016, his work The Road to Mandalay (2016) was screened in his home country for the first time, which he called a "historical moment".

Known For

Director

2024
The Unseen Sister

as Director

2024
Cherry Ferry

as Director

2023
The Clinic

as Director

2019
Nina Wu

as Director

2018
14 Apples

as Director

2018
The Making of

as Director

2016
City of Jade

as Director

2016
2015
Jade Miners

as Director

2015
Motorcycle Driver

as Director

2014
Ice Poison

as Director

2014
2013
2013
Taipei Factory

as Director

2013
Silent Asylum

as Director

2012
Poor Folk

as Director

2011
Return to Burma

as Director

2009
Goodbye! Taiwan!

as Director

Writer

2024
2019
Nina Wu

as Screenplay

2018
14 Apples

as Screenplay

2016
2016
City of Jade

as Screenplay

2015
Jade Miners

as Writer

2014
2014
Ice Poison

as Screenplay

2013
2013
Taipei Factory

as Writer

2011
Return to Burma

as Screenplay

2009

Producer

2023
Bad Education

as Executive Producer

2019
Nina Wu

as Producer

2018
QUAN MA HE

as Executive Producer

2018
14 Apples

as Producer

2016
City of Jade

as Producer

2014
Ice Poison

as Producer

2011
Return to Burma

as Producer

Editor

2023
The Clinic

as Editor

2018
14 Apples

as Editor

2016
City of Jade

as Editor

2015
Jade Miners

as Editor

2014
Ice Poison

as Editor

2011
Return to Burma

as Editor

Camera

2018
14 Apples

as Director of Photography

2016
City of Jade

as Director of Photography

2011
Return to Burma

as Director of Photography

Crew

2023
Bad Education

as Presenter

2015
Jade Miners

as Cinematography